ENGLISH 84
BASIC WRITING II—Paragraph to Essay
ASSIGNMENTS
Fall 2008
Learning Community--Bridges to Success by Breaking Barriers
Amy Hundley
Reading
Response Journals | Reading Response
Journal Guidelines
Bridge to Successful Writing | Grading Rubrics
Reading Response Journals
ESO Focus for Reading Response Journals:
E. Analyze texts and readings for use in writing
| Number and Date Assigned | Assignment | Bridge/Theme/Writing Concept |
|
1.) 8/19/08 |
"Only Daughter" by Sandra Cisneros (handout) | Bridge
to Success: Self-Evaluation The Writing Process |
|
2.) 8/22/08 |
"Superman and Me" by Sherman Alexie (BTG pgs. 24-27) | Bridge
to Success: Self-Evaluation The Writing Process--Narration |
|
3.) 8/25/08 |
“ ‘See Spot Run’: Teaching My Grandmother to Read” by Ellen Tashie Frisina (TSPR pgs. 83-90) | Bridge to
Success:
Bridge to More Successful Reading and
Writing--My Life as a Reader and Writer Narration and Description |
|
4.) 8/27/08 |
“On the Sidewalk, Bleeding” by Evan Hunter ( BTG pgs. 209-215) | Bridge to
Success:
Bridge to More Successful Reading and
Writing--My Life as a Reader and Writer Narration and Description |
|
5.) 8/28/08 |
“The Jacket” by Gary Soto (Handout) | Bridge to
Success:
Bridge to More Successful Reading and
Writing--My Life as a Reader and Writer Description |
|
6.) 9/3/08 |
People magazine article about Coretta Scott King |
Bridge to Success:
Learning from History Description |
|
7.) 9/8/08 |
"Women in History" by Leonard Pitt (BTG pgs. 267-270) | Bridge to Success:
Learning from History:
Actions of a Few Bring about Change for Many Cause and Effect |
| 8.) 9/10/08 | "Madame C.J. Walker" by Gale Research Group (BTG pgs. 117-120) |
Bridge to Success:
Actions of a Few Bring about Change for Many Cause and Effect |
| 9.) 9/11/08 | “Why Women Laugh” by Gina Barreca (TSPR pgs. 407-413) |
Bridge to Success:
Actions of a Few Bring about Change for Many Cause and Effect |
| 10.) 9/15/08 | “Women Are Just Better” by Anna Quindlen (TSPR pgs. 476-480) |
Bridge to Success:
Actions of a Few Bring about Change for Many Cause and Effect |
| Journals
collected 9/17/08 |
Journal Check #1 (100 pts.) | Return to top |
| Extra Credit Journal #1 | “Open the Doors of Your Mind with Books” by Richard Rodriguez (TSPR pgs. 91-97) | |
| Extra Credit Journal #2 | “Night Walker” by Brent Staples (TSPR pgs. 186-193) | |
| NOTE: There is a different format required for the journals connected to novel below | ||
| 11.) 9/16/08-9/17/08 | The Secret Life of Bees by Sue Monk Kidd Chpt. 1 (pgs. 1-15, 15-33) | Bridge to Success: Applying
Reading and Writing Strategies to Longer Selections The Secret Life of Bees Cause and Effect |
| 12.) 9/18/08-9/19/08 | The Secret Life of Bees by Sue Monk Kidd Chpt. 2 (pgs. 34-44, 44-56) | Bridge to Success: Applying
Reading and Writing Strategies to Longer Selections The Secret Life of Bees Cause and Effect |
| 13.) 9/22/08 | The Secret Life of Bees by Sue Monk Kidd Chpt. 3 (pgs. 57-66) |
Bridge
to Success: Getting the Big Picture--Expanding Ideas (Literal to
Inferential) |
| 14.) 9/23/08 | The Secret Life of Bees by Sue Monk Kidd Chpt. 4 (pgs. 65-81) |
Bridge to
Success: Getting the Big Picture--Expanding Ideas (Literal to Inferential) Illustration |
| 15.) 9/24/08-9/25/08 | The Secret Life of Bees by Sue Monk Kidd Chpt. 5 (pgs.82-89, 89-101) |
Bridge to
Success: Getting the Big Picture--Expanding Ideas (Literal to Inferential) Illustration |
| 16.) 9/29/08 | The Secret Life of Bees by Sue Monk Kidd Chpt. 6 (pgs.102-114) |
Bridge to Success: Recognizing and Breaking Down
Stereotypes
Illustration |
| 17.) Combined
Work— assigned 9/30/08/Due 10/6/08 |
The Secret Life of Bees by Sue Monk Kidd Chpt. 7 (pgs. 115-123, 123-135) | Bridge to Success: Recognizing
and Breaking Down Stereotypes Illustration |
| 18.) Combined Work— assigned 9/30/08/Due 10/6/08 |
The Secret Life of Bees by Sue Monk Kidd Chpt. 8 (pgs.136-146, 146-164) | Bridge to Success: Recognizing
and Breaking Down Stereotypes Illustration |
| 19.) 10/6/08 |
NOTE: Use previous format for TSPR and BTG journals “Friends, Good Friends—and Such Good Friends” by Judith Viorst (TSPR pgs. 300-307) |
Bridge
to Success: Understanding the Point of View of Others and Yourself Classification |
| 20.) 10/7/08-10/8/08 | The Secret Life of Bees by Sue Monk Kidd Chpt. 9 (pgs.165-176, 177-188) |
Bridge
to Success: Understanding the Point of View of Others and Yourself Classification |
| 21.) 10/10/08-10/13/08 |
The Secret
Life of Bees
by Sue Monk Kidd Chpt. 10 ( pgs.189-199, 199-213) |
Bridge
to Success: Understanding the Point of View of Others and Yourself Classification |
| 22.) 10/14/08 | The Secret Life of Bees by Sue Monk Kidd Chpt. 11 (pgs.214-223, 223-231) | Bridge to
Success: Tackling Indifference Classification and Comparison and Contrast |
| 23.) 10/15/08 | The Secret Life of Bees by Sue Monk Kidd Chpt. 12 (pgs. 232-243, 243-256) | Bridge to Success: Tackling
Indifference Classification and Comparison and Contrast |
| 24.) 10/16/08 | The Secret Life of Bees by Sue Monk Kidd Chpt. 13 (pgs. 257-265, 265-276) |
Bridge
to Success: Tackling Indifference Classification and Comparison and Contrast |
| 25.) 10/17/08 | The Secret Life of Bees by Sue Monk Kidd Chpt. 14 (277-302) |
Bridge
to Success: Tackling Indifference Classification and Comparison and Contrast |
| Journals
collected 10/20/08 |
Journal Check #2 (150 pts.) | Return to top |
| Extra Credit Journal #3 |
“Mother Tongue” by Amy Tan (TSPR pgs. 40-49) |
|
| Extra Credit Journal #4 | “The American Dream for Sale: Ethnic Images in Magazines” by Amy Rashap (TSPR pgs. 317-326) | |
| 26.) 10/31/08 | “The America I Love” by Elie Wiesel (TSPR pgs. 392-395) |
Bridge to Success:
Bridging New Knowledge with Prior Knowledge (Begin Research Project) Cause and Effect/Research |
| 27.) 11/4/08 | “On The Front Lines of the Service Sector” by Stuart Tannock (BTG pgs. 138-141) |
Bridge to Success:
Thinking,
Reading, and Writing Critically Cause and Effect/Research |
| 28.) 11/7/08 | “Action Hero” by Rulon Openshaw (Handout) |
Bridge to Success:
Thinking,
Reading, and Writing Critically Cause and Effect/Research |
| NOTE: There is a different format required for the journals connected to memoir below; see course packet. | ||
| 29.) 11/12/08 | Reflective Journal for Night Preface, Foreword, and Section 1 (pgs. vii-xv, xvii-xxi, and 3-22) |
Bridge to Success: Applying Reading and Writing Strategies to In-Class
Writing Exam AND to Longer Selections Night Cause and Effect/Research and Narration |
| 30.) 11/13/08 | Reflective Journal for Night Section 2 (pgs. 23-28) |
Bridge to Success: Applying Reading and Writing Strategies to In-Class
Writing Exam AND to Longer Selections Night Cause and Effect/Research and Narration |
| 31.) 11/14/08 | Reflective Journal for Night Section 3 (pgs. 29-46) |
Bridge to Success: Applying Reading and Writing Strategies to In-Class
Writing Exam AND to Longer Selections Night Cause and Effect/Research and Narration |
| 32.) 11/17/08 | Reflective Journal for Night Section 4 (pgs. 47-65) | Bridge to Success: Applying Reading and Writing Strategies to Longer Selections--Night |
| 33.) 11/18/08 | Reflective Journal for Night Section 5 (pgs. 66-84) | Bridge to Success: Applying Reading and Writing Strategies to Longer Selections--Night |
| 34.) 11/19/08 | Reflective Journal for Night Section 6 (pgs. 85-97) | Bridge to Success: Applying Reading and Writing Strategies to Longer Selections--Night |
| 35.) 11/20/08 | Reflective Journal for Night Section 7 (pgs. 99-103) | Bridge to Success: Applying Reading and Writing Strategies to Longer Selections--Night |
| 36.) 11/21/08 | Reflective Journal for Night Section 8 (pgs. 104-112) | Bridge to Success: Applying Reading and Writing Strategies to Longer Selections--Night |
| 37.) 11/24/08 | Reflective Journal for Night Section 9 (pgs. 113-115) and Nobel Peace Prize speech (pgs. 117-120) |
Bridge to Success: Surviving Life’s Struggles Illustration |
| 38.) 11/26/08 | “How Can We Understand Their Hatred?” by Elie Wiesel (Handout from Lenice) |
Bridge to Success: Surviving Life’s Struggles Illustration |
| 39.) 12/1/08 | “A Global Battle’s Missing Weapon” by Richard Holbrooker and Richard Furman (TSPR pgs. 516-519) |
Bridge to Success: Evaluating Arguments Illustration |
| 40.) 12/2/08 | “Avoiding the Truth of What’s Needed to Fight AIDS: Needle Programs” by Brent Staples (TSPR pgs. 524-527) |
Bridge to Success: Evaluating Arguments Illustration |
|
Journals collected 12/5/08 |
Journal Check #3 (150 pts.) | Return to top |
| Extra Credit Journal #5 | “The Struggle to Be an All-American Girl” by Elizabeth Wong (TSPR pgs. 146-148) |
Bridge to Success: Reflecting, Evaluating, and Managing Stress Illustration |
|
Extra Credit Journal #6 |
“Get a Knife, Get a Dog, but Get Rid of Guns” by Molly Ivins (TSPR pgs. 484-486) |
Bridge to Success: Reflecting, Evaluating, and Managing Stress Illustration |
Reading Response
Journal Grading Rubric (10 pts. possible per entry)
| (9-10) | Commands Attention | The work stands out as exceptional. |
| (7-8) | Clearly Competent | It fulfills all of the requirements of the assignment. |
| (5-6) | Satisfactory, Even Marginally So | It fulfills most of the requirements of the assignment. |
| (3-4) | Unsatisfactory | It barely meets the requirements of the assignment. |
| (0-2) | Serious Weaknesses | It fails to meet the requirements of the assignment (not on time, not long enough, off-topic, etc.). |
Enter the date, title/chapter #, author and pg. # of the reading selection to which you are responding.
After
reading the assigned selection, respond to the following:
vWhat
did you understand the most and the least about this piece? What did you do that
helped you to understand the reading?
What questions or problems do you
still have with this piece?
vIn
your own words, write a brief summary of this selection (2-3 sentences).
vWhat
sort of person do you imagine the author to be? What are some interesting
details provided in your text about this author?
What question(s) would you
like to ask the author?
vHow
did you respond to the reading—emotionally or intellectually? Did you feel
involved with the reading, or distant from it?
vIs the
author trying to make a point, to produce a reaction, to entertain? All three?
vWhat
is the significance of the title?
vWhat
ideas, images, emotions were happening as you read this?
vWhat
direct quote (with page number) most defines the “essence” of this selection for
you? Why?
Reading Response Journal (Amy Hundley's Model)
Date
“A Thanksgiving Feast in Aburi” by Maya Angelou
INT
pgs. 55-57
What I understood most was that Angelou initially felt like an observer or
outsider to a ceremony. As far as what
I understood least, it was knowing the context for why she was in Africa in the
first place. The questions and
problems I have are knowing where Aburi and Accra are in Africa, what the Fanti
language sounds like, and
who Efua is. What I did to help myself was look at a map to solve the
geographic problem. I still don't know
about the other two questions, but they didn't really prevent me from
understanding the selection. This
brief narrative is actually an excerpt from a longer autobiographical book she
wrote entitled All God's Children
Need Traveling Shoes. In this selection she discusses the changes that
occurred to her when she moved from
being a witness to being a participant in the customs and rituals of another
culture. Fortunately, I don't need to
imagine what Angelou is like since I actually met her and heard her speak at an
English teachers' conference in
San Francisco years ago. I know that she has written a variety of books,
including poetry, that she is
a good friend and mentor of Oprah Winfrey, and that she usedto have her own line
of Hallmark cards.
Additionally, she was chosen to be the poet at President Clinton's
1993inauguration and she read a poem
she had written entitled "On the Pulse of Morning." I would like to ask
her what she is working on now. This piece
did not involve me emotionally, unlike other selections I have read by her,
particularly those from her
famous autobiographical book, I Know Why the Caged Bird Sings. I felt
fairly distant from the selection since I
have never visited Africa. I think she is trying to make a point about how
travel and exposure to other cultures
can change a person's viewpoint and enrich a person's life. The title is
very straightforward since it establishes
both the event and the place. Even though I wasn't particularly involved
emotionally, I did have some ideas and
observations while I was reading. I was reminded of a life changing
experience of my own when
was born. I gained a new identity as someone’s mother. I remember feeling
overwhelmed and terrified at first.
Once the fears of new parenthood subsided a bit, I felt
an observer. As far as experiencing a different culture/custom I was reminded of
ceremony for one of my husband’s junior high students. I had never
observed a non-Christian religious ceremony firsthand.
The ceremony took place in what used to be the chapel at Castle Air Force Base.
Aaron had to recite a portion of the
Torah in Hebrew. I remember wondering what was being said during the Hebrew
prayers. There were many people
there and such a sense of pride and celebration.
After the ceremony, there was a reception much like a
wedding reception with food, wine, cake, and dancing.
I felt very honored to have been included.
Angelou
really conveys sensory detail well, especially sound.
The words like “Rasp”, “Scrape”, and “Yee”
express the growing enthusiasm of the crowd. The direct quote which most defines
the "essence" of the selection for me is:
entranced Ghanaians, my handkerchief high above my head, I waved and jumped and
screamed,
'Na-na, na-na, na-na'"(Angelou 57).
it was for and assumed it was to keep dust out of her
face. Later, she realizes that the handkerchief becomes a part of
how she connects to the ceremony as a participant, not just an observer.
Return to top
Reflective Journal Format for The Secret Life of Bees
Journal #
_______________Chapter #_______________ Pgs. _______________
Your Title
(“ ”) for this chapter: _________________________________________________
WHAT HAPPENED (BRIEF SUMMARY—PEOPLE, PLOT, ETC.) |
HOW I FELT/ RESPONDED/REACTED |
THREE IMPORTANT QUOTATIONS FROM THIS SECTION (MLA FORMAT) |
|
|
|
|
WHAT HAPPENED |
HOW I FELT |
WHAT I LEARNED |
|
|
|
|
steps—prewriting/planning, drafting, and revising-- this is meant as a model
not a definitive
approach. First of all, ideas do not always flow in a straight progression
and many times
the stages overlap. For example, after completing a rough draft, a
student may need to
go back and do additional planning before revising. Also, formulating an
introduction and
conclusion can often occur after a thesis and body paragraphs have already been
written.
Seeing writing as a process can help you manage the task more efficiently and
give you tools
for getting started and for reworking what you write.
Revision
literally means “re-seeing”
and involves more than just fixing spelling and grammatical errors and making a
"neater"
copy of your paper..
and with ways to modify
it to suit various writing tasks. Writing is not easy, but it is important
for your continued academic and personal success.
A rough draft and revised
draft are required for each paragraph and essay you write. A rough draft is a
work-in-progress,
a completed attempt at the assignment that is ready to be reviewed by your peers
then revised and edited into final draft form.
Completed writing assignments need to be saved throughout the semester for
inclusion in your semester writing portfolio which
will demonstrate your growth in this class.
Paragraphs:
The topic sentence has a What? (the topic or subject you are writing about) and
a So What? (the controlling idea or
main point you want to make)
See pgs. 74-76 in Rules of Thumb: A Guide for Writers
Essays:
Essays are usually divided into three parts: the introduction (which contains
your thesis), the body paragraphs,
and the conclusion
Thesis:
A thesis is the controlling idea for an entire essay. You will learn to locate a
thesis as the last sentence of your introduction.
Titles:
Every paragraph and essay you write should have an original title.
Introduction:
This is the first thing your readers see and the interest level, tone, and
purpose need to be established effectively. Here are some possibilities:
1. Begin with background information
2. Begin with a fact or statistic
3. Begin with a definition of a relevant term or concept
4. Begin with an anecdote (short story) that leads to thesis
5. Begin with a question
6. Begin with a quotation
7. Begin in the middle of the action. Fill in any necessary information later.
8. Begin with some sensory details
See pgs. 72-73 in Rules of Thumb: A Guide for Writers
Conclusion:
This is the last thing your readers see and your entire essay can be judged by
the effectiveness of your conclusion.
Like an introduction, a conclusion is usually a full paragraph, though it will
tend to be the shortest one in the essay.
Conclusion Possibilities:
1. Conclude by reviewing your key points or restating your thesis
2. Conclude by recommending a course of action
3. Conclude by making a prediction
4. Conclude with a relevant quotation
See pg. 81 in Rules of Thumb: A Guide for Writers
Revision Pointers:
1. Give yourself a cooling-off period between drafts
2. Try to work from a typed draft (rather than a handwritten one or looking at
your work on the computer screen)
3. Read your draft aloud (you will often hear errors you can’t see)
4. Take advantages of opportunities to get feedback (peers, professor, Writing
Center etc.)
Basic MLA Citation and Documentation Information:
(see also Rules of Thumb: A Guide for Writers pgs.141-149)
Use the following examples to document quotations from our texts for this
course:
Works Cited
Barreca, Gina. “Why Women Laugh.” The Short Prose Reader. 11th ed.
Eds.Gilbert H. Muller. Boston: McGraw Hill, 2006.407-417.
Kidd, Sue Monk. The Secret Life of Bees. New York: Penguin, 2002.
Smith, Brenda D. Bridging the Gap. 8th ed. New York: Pearson, 2005.
Wiesel, Elie. Night. 1960. Trans. Marion Wiesel. New York: Hill and Wang,
2006.
MLA Format:
Using Microsoft Word, set up your essays in correct MLA format following these
guidelines:
(NOTE: If you have Word 2007, go to "Insert", then "Header" and type information
accordingly)
|
Doe 1 Jane Doe Amy Hundley Eng. 84 Section # Day/Month/Year (Example of Inverted Date: 18 August 2008) |
Grading
Rubrics:
Rubrics are tools for grading and evaluation. Your
performance on written assignments will be the primary
source of your semester
grade. In general, your essays will be graded for focus, organization,
development,
grammar and mechanics, meeting minimum length requirements, and
your overall ability to engage the assigned
readings in a manner appropriate to
developmental-level college work. I will use these rubrics as my tools for
making
a more objective assessment on your writing. They can also be useful for you
as a self-evaluation checklist or for peer
review.
Eng. 84 Paragraph ESO Rubric (60 points
possible)
Revised Draft
Peer Review
Rough Draft
Prewriting/Planning
Total= /60 pts.
|
CRITERIA Expected Student Outcome for English 84 Paragraphs |
“A” exceeds outcomes |
“B” meets outcomes |
“C” approaches outcomes |
“D/F” inadequate attempt |
|
A. Explore and utilize the writing process (15) Organization, development, and revision of ideas is revealed through use of the writing process with prewriting/planning, and multiple drafts that demonstrate adding, deleting, changing, and rearranging of ideas and details, meets minimum length requirements. |
15-14 |
13-12 |
11-10 |
9-0 |
|
|
|
|
|
|
|
B. Demonstrate a basic competence in grammar, syntax, and mechanics (15) Show few or no errors in punctuation, grammar, and usage, errors that remain do not detract from overall content, readability, and effectiveness of paragraph, contain appropriate and effective word choice, avoid slang and clichés, employ varied sentence structure, observe the conventions of written English including MLA format and citation, avoid plagiarism. |
15-14 |
13-12 |
11-10 |
9-0 |
|
|
|
|
|
|
|
C. Compose topic sentences and unified paragraphs (15) Position the topic sentence in a clear, logical, and effective location in the paragraph, the topic sentence is a single, complete thought and clearly establishes the subject and the controlling idea, embodies and demonstrates an understanding of the purpose of the assignment, compose a unified and cohesive paragraph using the required rhetorical mode or strategy, support topic sentence with clear, consistent, relevant, and sufficient information and examples, use transitions effectively. |
15-14 |
13-12 |
11-10 |
9-0 |
|
|
|
|
|
|
|
E. Analyze texts and readings for use in writing AND/OR Apply concepts from supplemental class discussions and material (15) Engage the material in a manner appropriate to developmental college-level work, the writing assignment serves to illustrate that the student has read and contemplated the material in more than a cursory fashion. |
15-14 |
13-12 |
11-10 |
9-0 |
|
|
|
|
|
Eng. 84 Essay ESO Rubric
(100 points possible)
Revised Draft
Peer Review
Rough Draft
Prewriting/Planning
Total= /100 pts.
|
CRITERIA Expected Student Outcome for English 84 Essays |
“A” exceeds outcomes |
“B” meets outcomes |
“C” approaches outcomes |
“D/F” inadequate attempt |
|
A. Explore and utilize the writing process (20) Organization, development, and revision of ideas is revealed through use of the writing process with prewriting/planning, and multiple drafts that demonstrate adding, deleting, changing, and rearranging of ideas and details, meets minimum length requirements. |
20-18 |
17-16 |
15-14 |
13-0 |
|
|
|
|
|
|
|
B. Demonstrate a basic competence in grammar, syntax, and mechanics (20) Show few or no errors in punctuation, grammar, and usage, errors that remain do not detract from overall content, readability, and effectiveness of paragraph, contain appropriate and effective word choice, avoid slang and clichés, employ varied sentence structure, observe the conventions of written English including MLA format and citation, avoid plagiarism. |
20-18 |
17-16 |
15-14 |
13-0 |
|
|
|
|
|
|
|
C. Compose topic sentences and unified paragraphs (20) Position the topic sentence in a clear, logical, and effective location in the paragraph, the topic sentence is a single, complete thought and clearly establishes the subject and the controlling idea, embodies and demonstrates an understanding of the purpose of the assignment, compose a unified and cohesive paragraph using the required rhetorical mode or strategy, support topic sentence with clear, consistent, relevant, and sufficient information and examples, use transitions effectively. |
20-18 |
17-16 |
15-14 |
13-0 |
|
|
|
|
|
|
|
D. Compose thesis statements and unified short essays (20) Position the thesis in a clear, logical, and effective location, the thesis is a single, complete thought and clearly establishes the subject and the controlling idea, embody and demonstrate an understanding of the purpose of the assignment, include an effective introduction, body, and conclusion, employ the required rhetorical mode or strategy, compose unified and cohesive essay where each body paragraph develops new detail/event while supporting thesis with clear, consistent, relevant, and sufficient information and examples, use transitions effectively. |
20-18 |
17-16 |
15-14 |
13-0 |
|
|
|
|
|
|
|
E. Analyze texts and readings for use in writing AND/OR Apply concepts from supplemental class discussions and material (20) Engage the material in a manner appropriate to developmental college-level work, the writing assignment serves to illustrate that the student has read and contemplated the material in more than a cursory fashion. |
20-18 |
17-16 |
15-14 |
13-0 |
|
|
|
|
|
Eng. 84 I-Search Essay ESO Rubric (200 points possible)
|
Final Draft (including Works Cited) |
100 pts. |
|
Revised Draft/Instructor Review (including Works Cited) |
30 pts. |
|
Peer Review |
10 pts. |
|
Rough Draft (including Works Cited ) |
25 pts. |
|
I-Search Format Outline |
15 pts. |
|
Notes/Sources/Library Work/Library Attendance |
20 pts. |
|
CRITERIA Expected Student Outcomes for English 84 I-Search |