ENGLISH 84 BASIC WRITING II—Paragraph to Essay
 ASSIGNMENTS
Fall 2008
Learning Community--Bridges to Success by Breaking Barriers
Amy Hundley

Reading Response Journals | Reading Response Journal Guidelines 
Bridge to Successful Writing
| Grading Rubrics 

Reading Response Journals
ESO Focus for Reading Response Journals:
    E. Analyze texts and readings for use in writing

Number and Date Assigned Assignment Bridge/Theme/Writing Concept
1.) 8/19/08
"Only Daughter" by Sandra Cisneros (handout) Bridge to Success: Self-Evaluation

The Writing Process

2.) 8/22/08
"Superman and Me" by Sherman Alexie (BTG pgs. 24-27) Bridge to Success: Self-Evaluation

The Writing Process--Narration

3.) 8/25/08
“ ‘See Spot Run’: Teaching My Grandmother to Read” by Ellen Tashie Frisina (TSPR pgs. 83-90) Bridge to Success:  Bridge to More Successful Reading and Writing--My Life as a Reader and Writer

Narration and Description
4.) 8/27/08
“On the Sidewalk, Bleeding” by Evan Hunter ( BTG pgs. 209-215) Bridge to Success:  Bridge to More Successful Reading and Writing--My Life as a Reader and Writer

Narration and  Description
5.) 8/28/08
“The Jacket” by Gary Soto (Handout) Bridge to Success:  Bridge to More Successful Reading and Writing--My Life as a Reader and Writer

Description
6.)  9/3/08
People magazine article about Coretta Scott King Bridge to Success:  Learning from History

Description
7.)  9/8/08
"Women in History" by Leonard Pitt (BTG pgs. 267-270) Bridge to Success:  Learning from History: Actions of a Few Bring about Change for Many

Cause and Effect
8.)  9/10/08 "Madame C.J. Walker" by Gale Research Group (BTG pgs. 117-120) Bridge to Success:  Actions of a Few Bring about Change for Many

Cause and Effect
9.)  9/11/08 “Why Women Laugh” by Gina Barreca (TSPR pgs. 407-413) Bridge to Success:  Actions of a Few Bring about Change for Many

Cause and Effect
10.) 9/15/08 “Women Are Just Better” by Anna Quindlen (TSPR pgs. 476-480) Bridge to Success:  Actions of a Few Bring about Change for Many

Cause and Effect
Journals collected
9/17/08
Journal Check #1 (100 pts.) Return to top
Extra Credit Journal #1 “Open the Doors of Your Mind with Books” by Richard Rodriguez (TSPR pgs. 91-97)
Extra Credit Journal #2 “Night Walker” by Brent Staples (TSPR pgs. 186-193)
  NOTE: There is a different format required for the journals connected to novel below
11.) 9/16/08-9/17/08 The Secret Life of Bees by Sue Monk Kidd Chpt. 1 (pgs. 1-15, 15-33) Bridge to Success: Applying Reading and Writing Strategies to Longer Selections
The Secret Life of Bees


Cause and Effect
12.) 9/18/08-9/19/08 The Secret Life of Bees by Sue Monk Kidd Chpt. 2 (pgs. 34-44, 44-56) Bridge to Success: Applying Reading and Writing Strategies to Longer Selections
The Secret Life of Bees

Cause and Effect
13.) 9/22/08 The Secret Life of Bees by Sue Monk Kidd Chpt. 3 (pgs. 57-66)

Bridge to Success: Getting the Big Picture--Expanding Ideas (Literal to Inferential)

Illustration

14.) 9/23/08 The Secret Life of Bees by Sue Monk Kidd Chpt. 4 (pgs. 65-81) Bridge to Success: Getting the Big Picture--Expanding Ideas (Literal to Inferential)

Illustration
15.) 9/24/08-9/25/08 The Secret Life of Bees by Sue Monk Kidd Chpt. 5 (pgs.82-89, 89-101) Bridge to Success: Getting the Big Picture--Expanding Ideas (Literal to Inferential)

Illustration
16.) 9/29/08 The Secret Life of Bees by Sue Monk Kidd Chpt. 6 (pgs.102-114)
Bridge to Success: Recognizing and Breaking Down Stereotypes

Illustration
17.)  Combined Work—
assigned 9/30/08/Due 10/6/08
 
The Secret Life of Bees by Sue Monk Kidd Chpt. 7 (pgs. 115-123, 123-135) Bridge to Success: Recognizing and Breaking Down Stereotypes

Illustration
18.) Combined Work—
assigned 9/30/08/Due 10/6/08
 
The Secret Life of Bees by Sue Monk Kidd Chpt. 8 (pgs.136-146, 146-164) Bridge to Success: Recognizing and Breaking Down Stereotypes

Illustration
19.) 10/6/08

NOTE: Use previous format for TSPR and BTG journals

“Friends, Good Friends—and Such Good Friends” by Judith Viorst (TSPR pgs. 300-307)
Bridge to Success: Understanding the Point of View of Others and Yourself

Classification
20.) 10/7/08-10/8/08 The Secret Life of Bees by Sue Monk Kidd Chpt. 9 (pgs.165-176, 177-188) Bridge to Success: Understanding the Point of View of Others and Yourself

Classification
21.) 10/10/08-10/13/08 The Secret Life of Bees by Sue Monk Kidd Chpt. 10 ( pgs.189-199, 199-213)
 
Bridge to Success: Understanding the Point of View of Others and Yourself

Classification
22.) 10/14/08 The Secret Life of Bees by Sue Monk Kidd Chpt. 11 (pgs.214-223, 223-231) Bridge to Success: Tackling Indifference

Classification and Comparison and Contrast
23.) 10/15/08 The Secret Life of Bees by Sue Monk Kidd Chpt. 12 (pgs. 232-243, 243-256) Bridge to Success: Tackling Indifference

Classification and Comparison and Contrast
24.) 10/16/08 The Secret Life of Bees by Sue Monk Kidd Chpt. 13 (pgs. 257-265, 265-276) Bridge to Success:  Tackling Indifference

Classification and Comparison and Contrast
25.) 10/17/08 The Secret Life of Bees by Sue Monk Kidd Chpt. 14 (277-302) Bridge to Success:  Tackling Indifference

Classification and Comparison and Contrast
Journals collected
10/20/08
Journal Check #2 (150 pts.) Return to top
Extra Credit Journal #3
“Mother Tongue” by Amy Tan (TSPR pgs. 40-49)
Extra Credit Journal #4 “The American Dream for Sale: Ethnic Images in Magazines” by Amy Rashap (TSPR pgs. 317-326)
26.) 10/31/08 “The America I Love” by Elie Wiesel (TSPR pgs. 392-395) Bridge to Success:  Bridging New Knowledge with Prior Knowledge (Begin Research Project)

Cause and Effect/Research
27.) 11/4/08 “On The Front Lines of the Service Sector” by Stuart Tannock  (BTG pgs. 138-141) Bridge to Success:  Thinking, Reading, and Writing Critically

Cause and Effect/Research
28.) 11/7/08 “Action Hero” by Rulon Openshaw (Handout) Bridge to Success:  Thinking, Reading, and Writing Critically

Cause and Effect/Research
NOTE: There is a different format required for the journals connected to memoir below; see course packet.
29.) 11/12/08 Reflective Journal for Night  Preface, Foreword, and Section 1 (pgs. vii-xv, xvii-xxi, and 3-22) Bridge to Success: Applying Reading and Writing Strategies to In-Class Writing Exam  AND to Longer Selections Night

Cause and Effect/Research and Narration
30.) 11/13/08 Reflective Journal for Night  Section 2 (pgs. 23-28) Bridge to Success: Applying Reading and Writing Strategies to In-Class Writing Exam  AND to Longer Selections Night

Cause and Effect/Research and Narration
31.) 11/14/08 Reflective Journal for Night  Section 3 (pgs. 29-46) Bridge to Success: Applying Reading and Writing Strategies to In-Class Writing Exam  AND to Longer Selections Night

Cause and Effect/Research and Narration
32.) 11/17/08 Reflective Journal for Night  Section 4 (pgs. 47-65) Bridge to Success: Applying Reading and Writing Strategies to Longer Selections--Night
33.) 11/18/08 Reflective Journal for Night   Section 5 (pgs. 66-84) Bridge to Success: Applying Reading and Writing Strategies to Longer Selections--Night
34.) 11/19/08 Reflective Journal for Night   Section 6 (pgs. 85-97) Bridge to Success: Applying Reading and Writing Strategies to Longer Selections--Night
35.) 11/20/08 Reflective Journal for Night   Section 7 (pgs. 99-103) Bridge to Success: Applying Reading and Writing Strategies to Longer Selections--Night
36.) 11/21/08 Reflective Journal for Night  Section 8 (pgs. 104-112) Bridge to Success: Applying Reading and Writing Strategies to Longer Selections--Night
37.) 11/24/08 Reflective Journal for Night  Section 9 (pgs. 113-115) and Nobel Peace Prize speech (pgs. 117-120) Bridge to Success: Surviving Life’s Struggles

Illustration
38.) 11/26/08 “How Can We Understand Their Hatred?” by Elie Wiesel (Handout from Lenice) Bridge to Success: Surviving Life’s Struggles

Illustration
39.) 12/1/08  “A Global Battle’s Missing Weapon” by Richard Holbrooker and Richard Furman (TSPR pgs. 516-519) Bridge to Success:
Evaluating Arguments

Illustration
40.) 12/2/08 “Avoiding the Truth of What’s Needed to Fight AIDS: Needle Programs” by Brent Staples (TSPR pgs. 524-527) Bridge to Success:
Evaluating Arguments

Illustration
Journals collected
12/5/08
Journal Check #3 (150 pts.) Return to top
Extra Credit Journal #5 “The Struggle to Be an All-American Girl” by Elizabeth Wong (TSPR pgs. 146-148) Bridge to Success: Reflecting, Evaluating, and Managing Stress

Illustration

Extra Credit Journal #6

“Get a Knife, Get a Dog, but Get Rid of Guns” by Molly Ivins (TSPR pgs. 484-486) Bridge to Success: Reflecting, Evaluating, and Managing Stress

Illustration


Reading Response Journal Grading Rubric (10 pts. possible per entry)

(9-10) Commands Attention The work stands out as exceptional.
(7-8)  Clearly Competent It fulfills all of the requirements of the assignment.
(5-6) Satisfactory, Even Marginally So  It fulfills most of the requirements of the assignment.
 (3-4) Unsatisfactory It barely meets the requirements of the assignment.
(0-2) Serious Weaknesses It fails to meet the requirements of the assignment (not on time, not long enough, off-topic, etc.).


                                                     
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Reading Response Journal Guidelines:

A reading journal is an informal piece of writing in which you explore your own experiences, ideas, 
and feelings related to and stimulated by the selections you have read. They will be used as the basis
for class discussions, group work, and other writing assignments. Each HANDWRITTEN entry will

be date-stamped
collected periodically, and graded for being complete, on time, and showing evidence
of your engagement with the text.  There are no “wrong” entries, merely incomplete, late, and/or off-topic ones. 
Spelling, grammar, etc. will not be graded.
Your journal entry should look like and sound like one unified response
rather than answers to a series of questions.  Reading journal entries must be completed in a large blue book
(available from MC Bookstore). You can and should use the both sides of the paper. You should fill at least one page
(one side) each time.


Heading (In blank space at top of page, on left hand side in blue book):

 Enter the date, title/chapter #, author and pg. # of the reading selection to which you are responding.

After reading the assigned selection, respond to the following:

vWhat did you understand the most and the least about this piece? What did you do that helped you to understand the reading?
What questions or problems do you still have with this piece?

vIn your own words, write a brief summary of this selection (2-3 sentences).

vWhat sort of person do you imagine the author to be? What are some interesting details provided in your text about this author?
What question(s) would you like to ask the author?

vHow did you respond to the reading—emotionally or intellectually?  Did you feel involved with the reading, or distant from it?

vIs the author trying to make a point, to produce a reaction, to entertain? All three?

vWhat is the significance of the title?

vWhat ideas, images, emotions were happening as you read this?

vWhat direct quote (with page number) most defines the “essence” of this selection for you? Why?


Reading Response Journal (Amy Hundley's Model)

Date
“A Thanksgiving Feast in Aburi” by Maya Angelou
INT pgs. 55-57

What I understood most was that Angelou initially felt like an observer or outsider to a ceremony.  As far as what
I understood least, it was knowing the context for why she was in Africa in the first place. The questions and
problems I have are knowing where Aburi and Accra are in Africa, what the Fanti language sounds like, and
who Efua is.  What I did to help myself was look at a map to solve the geographic problem. I still don't know
about the other two questions, but they didn't really prevent me from understanding the selection. This
brief narrative is actually an excerpt from a longer autobiographical book she wrote entitled All God's Children
Need Traveling Shoes
.  In this selection she discusses the changes that occurred to her when she moved from
being a witness to being a participant in the customs and rituals of another culture. Fortunately, I don't need to
imagine what Angelou is like since I actually met her and heard her speak at an English teachers' conference in
San Francisco years ago.  I know that she has written a variety of books, including poetry, that she is
a good friend and mentor of Oprah Winfrey, and that she usedto have her own line of Hallmark cards.
Additionally, she was chosen to be the poet at President Clinton's 1993inauguration and she read a poem
she had written entitled "On the Pulse of Morning."  I would like to ask her what she is working on now. This piece
did not involve me emotionally, unlike other selections I have read by her, particularly those from her
famous autobiographical book, I Know Why the Caged Bird Sings. I felt fairly distant from the selection since I
have never visited Africa.  I think she is trying to make a point about how travel and exposure to other cultures
can change a person's viewpoint and enrich a person's life.  The title is very straightforward since it establishes
both the event and the place.  Even though I wasn't particularly involved emotionally, I did have some ideas and
observations while I was reading.  I was reminded of a life changing experience of my own when 
my daughter
was born. I gained a new identity as someone’s mother. I remember feeling overwhelmed and terrified at first. 
Once the fears of new parenthood subsided a bit, I felt blessed to be a participant in parenthood and not just
an observer. As far as experiencing a different culture/custom I was reminded of
attending the Bat Mitzvah
ceremony for one of my husband’s junior high students.  I had never observed a non-Christian religious ceremony firsthand.
The ceremony took place in what used to be the chapel at Castle Air Force Base. Aaron had to recite a portion of the
Torah in Hebrew. I remember wondering what was being said during the Hebrew prayers. There were many people
there and such a sense of pride and celebration.  After the ceremony, there was a reception much like a
wedding reception with food, wine, cake, and dancing.  I felt very honored to have been included.
As far as imagery goes,
Angelou really conveys sensory detail well, especially sound.  The words like “Rasp”, “Scrape”, and “Yee” 
express the growing enthusiasm of the crowd. The direct quote which most defines the "essence" of the selection for me is:

"Thousands of handkerchiefs waving from thousands of black hands tore away my last reserve. I started bouncing with the
entranced Ghanaians, my handkerchief high above my head, I waved and jumped and screamed,
'Na-na, na-na, na-na'"(Angelou 57).
I liked the detail about the handkerchief because I, like Angelou, wondered what
it was for and assumed it was to keep dust out of her face. Later, she realizes that the handkerchief becomes a part of
how she connects to the ceremony as a participant, not just an observer.


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Reflective Journal Format for The Secret Life of Bees

Journal # _______________Chapter #_______________  Pgs. _______________

Your Title (“    ”)  for this chapter: _________________________________________________ 

Fill in the chart with as much detail as possible in all three columns.

WHAT HAPPENED (BRIEF SUMMARY—PEOPLE, PLOT, ETC.)

HOW I FELT/ RESPONDED/

REACTED

THREE IMPORTANT QUOTATIONS FROM THIS SECTION (MLA FORMAT)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


 



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Reflective Journal Format for Night by Elie Wies
el

Journal # _______________Chapter #_______________  Pgs. ______________

Your Title (“    ”)  for this chapter: _________________________________________________ 

Fill in the chart with as much detail as possible in all three columns.

WHAT HAPPENED

HOW I FELT

WHAT I LEARNED

 

 

 

 

 

 

 

 














                                                                            
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Bridge to Successful Writing:

Although the writing process is usually presented as a series of clearly defined
steps—prewriting/planning, drafting, and revising-- this is meant as a model not a definitive
approach.  First of all, ideas do not always flow in a straight progression and many times 
the stages overlap.  For
example, after completing a rough draft, a student may need to 
go back and do additional planning before revising. Also, formulating an introduction and 
conclusion can often occur after a thesis and body paragraphs have already been written.  
Seeing writing as a process can help you manage the task more efficiently and give you tools
for getting started and for reworking what you write. Revision literally means “re-seeing” 
and involves more than just fixing spelling and grammatical errors and making a "neater" 
copy of your paper..

The more you write, the better acquainted you will become with your personal writing process 
and with ways to
modify it to suit various writing tasks. Writing is not easy, but it is important 
for your continued academic and personal success.

A rough draft and revised draft are required for each paragraph and essay you write. A rough draft is a work-in-progress,
a completed attempt at the assignment that is ready to be reviewed by your peers then revised and edited into final draft form.
Completed writing assignments need to be saved throughout the semester for inclusion in your semester writing portfolio which
will demonstrate your growth in this class.

Paragraphs:
The topic sentence has a What? (the topic or subject you are writing about) and a So What? (the controlling idea or
main point you want to make)
See pgs. 74-76 in Rules of Thumb: A Guide for Writers

Essays:
Essays are usually divided into three parts: the introduction (which contains your thesis), the body paragraphs,
and the conclusion

Thesis:

A thesis is the controlling idea for an entire essay. You will learn to locate a thesis as the last sentence of your introduction.

Titles:
Every paragraph and essay you write should have an original title.

Introduction:
This is the first thing your readers see and the interest level, tone, and purpose need to be established effectively. Here are some possibilities:
1. Begin with background information
2. Begin with a fact or statistic
3. Begin with a definition of a relevant term or concept
4. Begin with an anecdote (short story) that leads to thesis
5. Begin with a question
6. Begin with a quotation
7. Begin in the middle of the action. Fill in any necessary information later.
8. Begin with some sensory details
See pgs. 72-73 in Rules of Thumb: A Guide for Writers

Conclusion:
This is the last thing your readers see and your entire essay can be judged by the effectiveness of your conclusion.
Like an introduction, a conclusion is usually a full paragraph, though it will tend to be the shortest one in the essay.

Conclusion Possibilities:
1. Conclude by reviewing your key points or restating your thesis
2. Conclude by recommending a course of action
3. Conclude by making a prediction
4. Conclude with a relevant quotation
See pg. 81 in Rules of Thumb: A Guide for Writers

Revision Pointers:
1. Give yourself a cooling-off period between drafts
2. Try to work from a typed draft (rather than a handwritten one or looking at your work on the computer screen)
3. Read your draft aloud (you will often hear errors you can’t see)
4. Take advantages of opportunities to get feedback (peers, professor, Writing Center etc.)

Basic MLA Citation and Documentation Information:
(see also Rules of Thumb: A Guide for Writers pgs.141-149)

Use the following examples to document quotations from our texts for this course:

                                                                    Works Cited

Barreca, Gina. “Why Women Laugh.” The Short Prose Reader. 11th ed.

        Eds.Gilbert H. Muller. Boston: McGraw Hill, 2006.407-417.

Kidd, Sue Monk. The Secret Life of Bees. New York: Penguin, 2002.

Smith, Brenda D. Bridging the Gap. 8th ed. New York: Pearson, 2005.

Wiesel, Elie. Night. 1960. Trans. Marion Wiesel. New York: Hill and Wang, 2006.


                                                  
MLA Format:

Using Microsoft Word, set up your essays in correct MLA format following these guidelines:
(NOTE: If you have Word 2007, go to "Insert", then "Header" and type information accordingly)

                                                                                                                                         Doe 1

                                                                                                                         
Jane Doe

Amy Hundley

Eng. 84 Section #

Day/Month/Year (Example of Inverted Date: 18 August 2008)

                                                                        Title (Centered)




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Grading Rubrics:

Rubrics are tools for grading and evaluation.  Your performance on written assignments will be the primary 
source of your semester grade.  In general, your essays will be graded for focus, organization, development, 
grammar and mechanics, meeting minimum length requirements, and your overall ability to engage the assigned 
readings in a manner appropriate to developmental-level college work. I will use these rubrics as my tools for making 
a more objective assessment on your writing. They can also be useful for you as a self-evaluation checklist or for peer 
review. 
    
Eng. 84 Paragraph ESO Rubric (60 points possible)
                                                 

Revised Draft
Peer Review
           
Rough Draft
                                                                                                                                                                                                           
Prewriting/Planning

Total=
           /60 pts.

CRITERIA                             Expected Student Outcome for English 84 Paragraphs

“A” exceeds outcomes

“B” meets outcomes

“C” approaches outcomes

“D/F” inadequate attempt

A.  Explore and utilize the writing process (15)

Organization, development, and revision of ideas is revealed through use of the writing process with prewriting/planning, and multiple drafts that demonstrate adding, deleting, changing, and rearranging of ideas and details, meets minimum length requirements.

15-14

13-12

11-10

9-0

 

 

 

 

B.   Demonstrate a basic competence in grammar, syntax, and mechanics (15)

Show few or no errors in punctuation, grammar, and usage, errors that remain do not detract from overall content, readability, and effectiveness of paragraph, contain appropriate and effective  word choice,  avoid slang and clichés, employ varied sentence structure, observe the conventions of written English including MLA format and citation, avoid plagiarism.

15-14

13-12

11-10

9-0

 

 

 

 

C.  Compose topic sentences and unified paragraphs (15)

Position the topic sentence in a clear, logical, and effective location in the paragraph, the topic sentence is a single, complete thought and clearly establishes the subject and the controlling idea, embodies and demonstrates an understanding of the purpose of the assignment, compose a unified and cohesive paragraph using the required rhetorical mode or strategy, support topic sentence with clear, consistent, relevant, and sufficient information and examples, use transitions effectively.

15-14

13-12

11-10

9-0

 

 

 

 

E.  Analyze texts and readings for use in writing AND/OR Apply concepts from supplemental class discussions and material (15)

Engage the material in a manner appropriate to developmental college-level work, the writing assignment serves to illustrate that the student has read and contemplated the material in more than a cursory fashion.

15-14

13-12

11-10

9-0

 

 

 

 

                                                                 

Eng. 84 Essay ESO Rubric (100 points possible)                                                                     

Revised Draft
Peer Review
             
Rough Draft
                                                                                                                                                                                                           
Prewriting/Planning

Total=
           /100 pts.

CRITERIA                             Expected Student Outcome for English 84 Essays

“A” exceeds outcomes

“B” meets outcomes

“C” approaches outcomes

“D/F” inadequate attempt

A.  Explore and utilize the writing process (20)

Organization, development, and revision of ideas is revealed through use of the writing process with prewriting/planning, and multiple drafts that demonstrate adding, deleting, changing, and rearranging of ideas and details, meets minimum length requirements.

20-18

17-16

15-14

13-0

 

 

 

 

B.   Demonstrate a basic competence in grammar, syntax, and mechanics (20)

Show few or no errors in punctuation, grammar, and usage, errors that remain do not detract from overall content, readability, and effectiveness of paragraph, contain appropriate and effective  word choice,  avoid slang and clichés, employ varied sentence structure, observe the conventions of written English including MLA format and citation, avoid plagiarism.

20-18

17-16

15-14

13-0

 

 

 

 

C.  Compose topic sentences and unified paragraphs (20)

Position the topic sentence in a clear, logical, and effective location in the paragraph, the topic sentence is a single, complete thought and clearly establishes the subject and the controlling idea, embodies and demonstrates an understanding of the purpose of the assignment, compose a unified and cohesive paragraph using the required rhetorical mode or strategy, support topic sentence with clear, consistent, relevant, and sufficient information and examples, use transitions effectively.

20-18

17-16

15-14

13-0

 

 

 

 

D. Compose thesis statements and unified short essays (20)

Position the thesis in a clear, logical, and effective location, the thesis is a single, complete thought and clearly establishes the subject and the controlling idea, embody and demonstrate an understanding of the purpose of the assignment, include an effective introduction, body, and conclusion, employ the required rhetorical mode or strategy, compose unified and cohesive essay where each body paragraph develops new detail/event while supporting thesis with clear, consistent, relevant, and sufficient information and examples, use transitions effectively.

20-18

17-16

15-14

13-0

 

 

 

 

E.  Analyze texts and readings for use in writing AND/OR Apply concepts from supplemental class discussions and material (20)

Engage the material in a manner appropriate to developmental college-level work, the writing assignment serves to illustrate that the student has read and contemplated the material in more than a cursory fashion.

20-18

17-16

15-14

13-0

 

 

 

 

 

Eng. 84 I-Search Essay ESO Rubric (200 points possible)                                                                                                                                                                                                              

Final Draft (including Works Cited)

100 pts.

Revised Draft/Instructor Review  (including Works Cited)    

  30 pts.

Peer Review                              

  10 pts.

Rough Draft (including Works Cited )       

  25 pts.

I-Search Format Outline

  15 pts.

Notes/Sources/Library Work/Library Attendance

  20 pts.

CRITERIA                             Expected Student Outcomes for English 84  I-Search