ENGLISH 1B: INTRODUCTION TO LITERATURE
ASSIGNMENTS Fall 2006

Amy Hundley

Reading Journals | Reading Response | Essay Guidelines | Grading Rubrics  
 Literary Terms Questions | Literary GenresCritical Approaches.

Reading Journal Entries in Order

Number and Date Assigned/Theme Title of Selection Genre
1.) 8/22/06
Innocence and Experience
"The House on Mango Street" by Sandra Cisneros (LTHE pgs. 123-124) Short Story (Fiction)
2.) 8/24/06
Innocence and Experience
"Young Goodman Brown" by Nathaniel Hawthorne (LTHE pgs. 80-90) Short Story (Fiction)
3.) 8/29/06
Innocence and Experience
"Incident" by Countee Cullen (LTHE pg. 146) OR "Advice to My Son" by Peter Meinke (LTHE pgs. 151-152) Poetry
4.) 8/31/06
Innocence and Experience
"The Lesson" by Toni Cade Bambara (LTHE pgs. 116-122) Short Story (Fiction)
5.)  9/5/06
Innocence and Experience
"My Wicked Wicked Ways" by Sandra Cisneros (LTHE pgs. 158-159) OR "Euphoria" by Major Jackson (LTHE pgs. 159-160) Poetry
6.)  9/12/06
Conformity and Rebellion
"The Ones Who Walk Away from Omelas" by Ursula K. Le Guin (LTHE pgs. 335-340) Short Story (Fiction)
7.)  9/12/06
Conformity and Rebellion
"The market economy" by Marge Piercy 
(LTHE pg. 395)
Poetry
8.)  9/14/06
Conformity and Rebellion
"Two Kinds" by Amy Tan (LTHE pgs. 366-374) Short Story (Fiction)
9.)  9/19/06
Conformity and Rebellion
"The Unknown Citizen" by W.H. Auden (LTHE pg. 390) OR "An Old Man" by Robert Pinsky (LTHE pgs. 402-403) Poetry
10.) 9/21/06
Conformity and Rebellion
A Doll's House by Henrik Ibsen, Act I (LTHE pgs. 437-459) Drama
11.) 9/26/06
Conformity and Rebellion
A Doll's House by Henrik Ibsen, Act II (LTHE pgs. 459-477) Drama
12.) 9/28/06
Conformity and Rebellion
A Doll's House by Henrik Ibsen, Act III (LTHE pgs. 477-495) Drama
13.) 10/3/06
Conformity and Rebellion
"She rose to His Requirement" by Emily Dickinson (LTHE pg. 378) Poetry
14.) 10/5/06
The American Dream and Love and Hate
The Great Gatsby by F. Scott Fitzgerald (Chpts. 1-5) Novel (Fiction)
15.) 10/10/06
The American Dream and Love and Hate
The Great Gatsby by F. Scott Fitzgerald (Chpts. 6-9) Novel (Fiction)
Journal Check #1--Journals #1-15 collected for grading 10/12/06   Return to top
16.) 10/24/06
Culture and Identity
"Evolution" by Sherman Alexie, Jr. (Handout) Poetry
17.) 10/24/06
Culture and Identity
"Lullaby" by Leslie Marmon Silko (Handout) Short Story (Fiction)
18.) 10/31/06
Culture and Identity
"Mr. Z. by M. Carl Holman (LTHE pgs. 635-636) OR "Latin Women Pray" by Judith Ortiz Cofer (LTHE pg. 646) Poetry
19.) 11/2/06
Culture and Identity
"Sonny's Blues" by James Baldwin (LTHE pgs. 556-579) Short Story (Fiction)
20.) 11/7/06
Culture and Identity
"Orbiting" by Bharati Mukherjee (LTHE pgs. 586-598) Short Story (Fiction)
21.) 11/9/06
Culture and Identity
"Everyday Use" by Alice Walker (LTHE pgs. 599-605) Short Story (Fiction)
22.) 11/14/06
Culture and Identity
A Raisin in the Sun by Lorraine Hansberry, Act I (LTHE pgs. 648-679) Drama
23.) 11/16/06
Culture and Identity
A Raisin in the Sun by Lorraine Hansberry, Act II (LTHE pgs. 679-711) Drama
24.) 11/23/06
Culture and Identity
A Raisin in the Sun by Lorraine Hansberry, Act III (LTHE pgs. 711-722) Drama
25.) 11/30/06
The American Dream and Love and Hate
Bright Lights, Big City by Jay McInerney
(from "It's Six A.M. Do You Know Where You Are? through the end of "Coma Baby Lives!")
Novel (Fiction)
Journal Check #2--Journals #16-26
collected for grading 12/5/06
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  Reading Response Journal Questions and Guidelines:

A reading journal is an informal piece of writing in which you explore your own experiences, ideas, 
and feelings related to and stimulated by the selection you have read. They will be used as the basis 
for class discussions, tests, and essays.
Journal entries will be date-stamped, collected periodically, 
and graded for being complete, on time, and showing evidence of your engagement with the selection.  
There are no “wrong” entries, merely incomplete, late, and/or off-topic ones.  Spelling, grammar, etc. 
will not be graded.

Although it is important to keep track of what events took place, what ideas were discussed, and what 
characters were mentioned in the reading selection, your reading journals should not just summarize the
 information or sound like you are answering a series of questions. The purpose of a reading journal is to 
enter into a conversation with the text, the author, and yourself. Comment on what puzzles you, what 
attracts you about the reading, and indicate reasons for your response. Sometimes you might find the
 literary terms and critical approaches that we will be incorporating in the course (see Glossary of 
Critical Approaches
LTHE pgs. 1131-1139 and Glossary of Literary Terms LTHE pgs. 1199-1210) 
useful for speaking about a selection.

Reading journal entries must be HANDWRITTEN and completed in a lined hardcover, wide-ruled, 100 sheet composition book. You can and should use both sides of the paper. You should fill at least one page (one side) each time. There is no need to rewrite the questions; nevertheless, make sure your responses are complete enough to incorporate the ideas effectively. It is more effective to produce a response that resembles a long paragraph rather than a numbered list of answers to questions; you do not need to answer all of these questions or in this particular order, although they do encourage a broad range of ways to respond to a selection regardless of genre.

Please include the following information in the top left hand corner of the blank space at the top of each page.

Today’s Date: _________________________________ Journal # _________

Title of Selection: ________________________________________________________________

Author: __________________________________________

Genre:___________________________________________

(adapted from:  Probst, Robert. Response and Analysis. Portsmouth , NH : Heinemann, 1988.)

1.)  FIRST REACTION: 
What is your first reaction or response to the reading?  Describe or explain it.

2.) FEELINGS:  What feelings does the reading awaken in you?  What emotions do you feel as you read?

3.)  PERCEPTIONS:  What do you see happening in the reading?  Briefly retell the main events and points.

4.)  ASSOCIATIONS:  What memory does the reading call to mind—of people, places, events, sights, 
smells or even something more ambiguous, perhaps feelings or attitudes? Does this reading call to mind any other 
selection (poem, play, short story, novel, essay, nonfiction book, textbook, or film)?  If it does, what is the work and 
what is the connection you see between the two?

5.)  THOUGHTS, IDEAS:  What idea or thought is suggested by the reading?  How can this idea or thought work as a
 theme or main point for the reading? Explain.

6.)  FOCUS:  Upon what in the text do you focus most intently as you read—what word, phrase, image, idea or technique? 
What is the most important aspect of the reading? What direct quote (with page number) most defines the “essence” of this selection for you?

7.)  AUTHOR, BACKGROUND:  What are some interesting details provided in your text about this author? What sort 
of person do you imagine the author to be? When was the piece written? How does the historical context/time period 
contribute to your understanding of this selection?

8.)  RESPONSE:  How do you respond to the reading—emotionally or intellectually?  Do you feel involved with the 
reading, or distant from it? Why?

9.)  PROBLEMS:  What is there in the reading that you have the most trouble understanding? To what extent do 
these problem areas hinder your overall response?

10.) EVALUATION:  Do you think this is a good piece of writing? Why or why not? How does this selection 
compare/contrast other selections in this genre and/or theme? 


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Essay Guidelines:

Throughout the semester, you will write three short essays centered on the themes in your text 
Literature: The Human Experience
. The purpose of these essays is to analyze readings from different 
genres, to make connections to the theme, and to focus on what the work means to you rather than
to merely summarize the plot, to restate the obvious, or to “borrow” ideas from the Internet or elsewhere. 
Ideally, your reading response journals will serve as the starting point for developing your ideas. You will also complete a longer literary research paper (6-8 pages, 1,500-2,000)


On every essay, be sure to:

v have your own original title
v mention the title and author of the story in your introduction (short selection titles use quote marks and
       longer selection titles are underlined)
v state and support a thesis.
v type your paper using proper MLA format as detailed on syllabus and in your LTHE text.
        correctly use in-text citation and  include a Works Cited page

Essay Topics

Essay #1:  Innocence and Experience (Assigned Week 4 and Due Week 6) 
(2-4 pages, 500-1,000 words, plus a MLA format Works Cited page)

Consider the connection between relationships and the journey from innocence to experience. How do 
parents or other adults in these readings affect the central characters and the journey from innocence to 
experience? These effects may be negative, positive, or some combination of both. You may also wish 
to consider how setting/place/environment affects the journey from innocence to experience. You must compare/contrast and analyze at least two readings from two different genres (poetry and short fiction)
 in order to develop your essay centered on this theme.

“Where I’m From” by George Ella Lyon (Handout)
“The House on Mango Street ” by Sandra Cisneros (LTHE pgs. 123-124)
“Young Goodman Brown” by Nathaniel Hawthorne (LTHE pgs. 80-90)
“Advice to My Son” by Peter Meinke (LTHE pgs. 151-152)
“Incident” by Countee Cullen (LTHE pg. 146)
“The Lesson” by Toni Cade Bambara (LTHE pgs. 116-121)
 “My Wicked Wicked Ways” by Sandra Cisneros (LTHE pgs. 158-159)
“Euphoria” by Major Jackson (LTHE pgs. 159-160)

Essay #2: Conformity and Rebellion (Assigned Week 9 and Due Week 10) 
(2-4 pages, 500-1,000 words, plus a MLA format Works Cited page)

Consider the connection between the individual and the larger group--family and/or society. 
How do the attitudes and actions of the central characters constitute a sense of conformity with 
the status quo? What is the price of this conformity? How do the attitudes and actions of the central 
characters constitute a rebellion against the status quo? What is the price of this rebellion?
You must compare/contrast and analyze at least two readings from at least two different genres (poetry, short
 fiction, and drama) in order to develop your essay centered on this theme.

“The Ones Who Walk Away from Omelas” by Ursula K. Le Guin (LTHE pgs. 335-340)
“The market economy” by Marge Piercy (LTHE pg. 395)
“Two Kinds” by Amy Tan (LTHE pgs. 366-374)
“The Unknown Citizen” by W.H. Auden (LTHE pg. 390)
“An Old Man” by Robert Pinsky (LTHE pgs. 402-403)
“She rose to His Requirement” by Emily Dickinson (LTHE pgs. 378-379)
A Doll’s House by Henrik Ibsen (LTHE pgs. 437-495)

Essay #3: Literary Research The Great Gatsby (Assigned Week 11 and Due Week 14) 
(MINIMUM 6-8 pages or 1500-2000 words)

You must use a minimum of 5 sources. Your sources must be varied and not all from websites or 
online sources. Try reference books, encyclopedias, magazines, newspapers, and databases like 
EBSCOhost.

References serve as evidence to support your own thinking on the topic, not as substitutes
 for your own thinking.
  You must take notes from your sources.  Highlighted computer printouts
 are sources, not notes.

For your literary research essay, you will choose a research focus that will enable you to answer 
convincingly one of the following questions:

A) Is Fitzgerald’s The Great Gatsby an important novel because of its accurate portrayal of a particular time period
 (“The Roaring Twenties” or “The Jazz Age”)?
B) Is it an important novel because of its relevance to modern times?
C) Is it an important novel because of its portrayals of love in America ?

Consider various critical approaches to this novel and how one or more might be utilized in answering A, B, or C:

Deconstructionist                Ethical            Feminist                     Formalist                    Marxist                     New Historical               
Psychoanalytic                     Reader-Response

Essay #4: Culture and Identity (Assigned Week 16 and Due Week 17) 
(
2-4 pages, 500-1,000 words, plus a MLA format Works Cited page)

What forces go into shaping our identity? What role does environment, particularly our cultural and 
ethnic backgrounds, play in shaping our perspective on our relationships with ourselves and others? 
How do the cultural and ethnic backgrounds of parents and adults affect other characters’ views of
 themselves? You must compare/contrast and analyze at least two readings from at least two different 
genres (poetry, short fiction, and drama) in order to develop your essay centered on this theme.

“Evolution” by Sherman Alexie, Jr. (Handout)
“Lullaby” by Leslie Marmon Silko (Handout)
“Mr. Z” by M. Carl Holman (LTHE pgs. 635-636)
“Latin Women Pray” by Judith Ortiz Cofer (LTHE pg. 646)
“Sonny’s Blues” by James Baldwin (LTHE pgs. 556-579)
“Orbiting” by Bharati Mukherjee (LTHE pgs. 586-598)
“Everyday Use” by Alice Walker (LTHE pgs. 599-605)
A Raisin in the Sun by Lorraine Hansberry  (LTHE pgs. 648-722)

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Grading Rubrics:
Rubrics are tools for grading and evaluation.  Your performance on written assignments will be the
 primary source of your semester grade.  In general, your essays will be graded for focus, organization, development, grammar and mechanics, meeting minimum length requirements, and your overall ability to 
engage the assigned readings in a manner appropriate to transfer-level college work. I will use these rubrics 
as my tools for making a more objective assessment on your writing. They can be useful for you as a 
self-evaluation checklist or for peer review.

As you can see from the above section, Essays #1, 2, 4 are similar in their requirements as 
comparison/contrast and literary analysis; the only main difference is thematic focus and 
reading selections. Therefore, the rubrics are identical.

Sample Rubric for Essays #1, 2, 4 Thematic Essays

A= (100-90)
FOCUS:   Directly, clearly, and fully addresses the chosen selections, exhibits a solid basis of comparison and analysis of genres and theme
 
ORGANIZATION :  Original and effective title, clear  and effective introduction, explicitly stated or clearly implied thesis, very effective use of transitions, details included connect to thesis, reads as a unified and cohesive essay with a clear beginning, middle, and end, clear and effective conclusion
 
DEVELOPMENT Paper is full in length with the required  planning steps, clear, consistent and sufficient information for each subject that the writer compares and contrasts, limited use of background  summary information for an informed audience, correctly uses direct quotes in MLA in-text citation format, each body paragraph develops new detail/event while supporting thesis, balances own ideas and opinions with those from text, very clear sense of communicating ideas and feelings rather than just following a format
 
GRAMMAR, MECHANICS , MISC. Exhibits careful attention to correct MLA style essay format and Works Cited page, appropriate punctuation, appropriate paragraph division, excellent use of sentence variety, follows conventions of literary writing by discussing selections in present tense except when appropriate not to, lack of run-ons, fused sentences, and comma splices, lack of sentence fragments, lack of agreement problems, uses consistent  pronouns, no vague “you” or other vague person references, uses parallel structure effectively, writer’s voice and individuality is revealed through sophisticated diction, tone, and technique, contains very few and very minor errors that do not detract from content of essay and indicate an ability to write at the college transfer level

                        
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B= (89-80)
FOCUS:   May have some minor lapses in focus or does not fully address one or both of the chosen selections, exhibits a solid basis of comparison, but may not fully analyze genres and theme
 
ORGANIZATION :  Original  and/or effective title, effective introduction, explicitly stated  or clearly implied thesis, effective use of transitions,  most details connect to thesis, the essay may be less cohesive and/or may have a less clear beginning, middle, and/or end, effective conclusion
 
DEVELOPMENT : Paper is full in length with the  required planning steps , mostly clear, consistent and sufficient information for each subject that the writer compares and contrasts, limited use of background summary information for an informed audience, correctly uses direct quotes in MLA in-text citation format, most body paragraphs develop new details/events while supporting thesis, balances own ideas and opinions with those from text, mostly clear sense of communicating ideas and feelings rather than just following a format
 
GRAMMAR, MECHANICS , MISC. Exhibits attention to correct MLA style essay format and Works Cited page, appropriate punctuation, appropriate paragraph division, may have less varied sentence structure, may have minor errors in literary convention and verb tense , may contain a few sentences that are problematic, awkward, ineffective, or incomplete, may contain some minor errors in agreement, person references, and/or pronoun consistency, may have minor errors in parallel structure, less sophisticated command of diction, tone, and technique may inhibit writer’s voice and individuality, contains few and  minor errors that do not detract from content of essay and indicate an ability to write at the college transfer level

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C= (79-70)
FOCUS:   May have more problematic or extended lapses in focus or ability to address one or both of the chosen selections, less solid basis of comparison, partial analysis of genres and/or theme
 
ORGANIZATION : Less original and/or less effective title, weak introduction, thesis is present, but may not be as explicit or clearly implied, less effective use of transitions, some supporting details may be lacking or irrelevant, the essay may be less cohesive and/or may have a less clear beginning, middle, and/or end less effective conclusion
 
DEVELOPMENT : Paper is full in length with most of the required planning steps, may have some unclear, inconsistent and/or insufficient information for each subject that the writer compares and contrasts, may have some use of  unnecessary background  summary information, may have some errors in using direct quotes in MLA in-text citation format, most  body paragraphs develop new details/events while supporting thesis, some imbalance of ideas and opinions with those from text, some sense of communicating ideas and feelings rather than just following a format
 
GRAMMAR, MECHANICS , MISC. Some errors in MLA style essay format and Works Cited page,  some errors in punctuation, may contain some errors in paragraph division, may have less varied sentence structure, may have errors in literary convention and verb tense, may contain a few sentences that are problematic, awkward, ineffective, or incomplete, may contain some errors in agreement or person references, and/or pronoun consistency, may have errors in parallel structure,  average or inconsistent command of diction, tone, and technique may  inhibit writer’s voice and individuality, contains some distracting errors that inhibit effectiveness of essay and indicate  a need for greater attention to writing at the college transfer level

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D= (69-60)
FOCUS:   More problematic or extended lapses in focus or ability to address one or both of the chosen selections, genres, or theme,  weak or poorly established basis of comparison, may stray  off-topic to include other details unrelated to essay
 
ORGANIZATION :  Unoriginal and/or ineffective title, weak  or incomplete introduction, thesis is present, but is not as explicit or clearly implied, limited or ineffective use of transitions,  the essay is not cohesive and/or has an unclear beginning, middle, and/or end,  weak or incomplete conclusion
 
DEVELOPMENT Paper is nearly full in length and/or with some of the planning steps completed, some unclear, inconsistent and/or insufficient information for each subject that the writer compares and contrasts, some use of unnecessary background summary information, some errors in using direct quotes in MLA in-text citation format, some body paragraphs develop new details/events while supporting thesis, imbalance of ideas and opinions with those from text, at times essay has sense of just following a format rather than communicating ideas and feelings
 
GRAMMAR, MECHANICS , MISC. Some serious errors in MLA style essay format and Works Cited page,  some serious  errors in punctuation, some  serious errors in paragraph division, little variety in sentence structure, some serious errors in literary convention and verb tense, contains several sentences that are problematic, awkward, ineffective, or incomplete, contains some serious errors in agreement or person references, and/or pronoun consistency, some serious errors in parallel structure, limited or inconsistent command of diction, tone, and technique inhibit writer’s voice and individuality, contains a number of distracting errors that inhibit effectiveness of essay and indicate a problem with writing at the college transfer level

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F= (59-0)
FOCUS:   Shows little or no focus or ability to address one or both of the chosen selections, genres, or theme,  weak or missing basis of comparison, little attention to relevance, strays significantly off-topic
 
ORGANIZATION :  Missing or ineffective title, missing or ineffective introduction, missing or unclear thesis, little or no use of transitions, significant  lapses in order and random flow of  ideas, missing or ineffective conclusion
 
DEVELOPMENT : Paper does not meet length requirements and may not utilize the planning steps, unclear, inconsistent, and/or insufficient information, extensive use of  unnecessary or redundant information, incorrect MLA in-text citation, redundant or missing body paragraphs to support thesis, no balance of ideas or missing information, formulaic
 
GRAMMAR, MECHANICS , MISC. Significant errors in MLA style essay format and Works Cited page,  inappropriate punctuation, problematic paragraph division, little or no sentence variety, significant and repeated grammatical, mechanical, and diction errors that interfere with meaning and effectiveness of essay, little sense of writer’s voice and individuality , little or no familiarity with the principles of passable transfer-level writing

Plan Sheet Complete and On Time?                 ____________________
Draft and Conference with Instructor?            ____________________
Your Score and Grade: _________/100 = _______

  Point Values for each column:
25=100%                                                 17=68%
24=96%                                                   16=64%
23=92%                                                   15=60%
22=88%                                                   14=56%
21=84%                                                   13=52%
20=80%                                                   12=48%
19=76%                                                   11=44%       
18=72%                                                   10=40%

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Sample Rubric for Essay #3 Literary Research

A= (200-180)
FOCUS:   Directly, clearly, and fully addresses the chosen literary research focus, successfully demonstrates the writer’s ability to research a literary topic including critical approaches and to argue persuasively
 
ORGANIZATION :  Original and effective title, clear introduction that establishes the focus and builds to the writer's position, explicitly stated or clearly implied thesis, effective use of transitions, consistent and logical arrangement and order of body paragraphs, the essay is a cohesive whole with a clear beginning, middle, and end, skillfully blends research and argumentation, clear conclusion that reaffirms the writer's position
 
DEVELOPMENT : Paper is full in length with the required planning steps, number, and use of sources, clear, consistent, relevant, and sufficient information from a variety of sources, limited use of background summary information for an informed audience, correctly uses direct quotes in MLA in-text citation format, each body paragraph develops new detail/event  while supporting thesis, refutes opposing arguments effectively, skillfully balances own ideas and opinions with those from sources
 
GRAMMAR, MECHANICS , MISC. Exhibits careful attention to correct MLA style essay format and Works Cited page, appropriate punctuation, appropriate paragraph division, excellent use of sentence variety, follows conventions of literary writing by discussing novel in present tense except when appropriate not to, lack of run-ons, fused sentences, and comma splices, lack of sentence fragments, lack of agreement problems, uses consistent  pronouns, no vague “you” or other vague person references, uses parallel structure effectively, writer’s voice and individuality is revealed through sophisticated diction, tone, and technique, contains very few and very minor errors that do not detract from content of essay  indicate an ability to write at the college transfer level

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B= (179-160)
FOCUS:   May have some minor lapses or does not fully address the chosen literary research focus, demonstrates the writer's ability to research a literary topic including critical approaches and to argue persuasively
 
ORGANIZATION :  Original and/or effective title, less effective introduction in  terms of establishing  the focus and building to the writer’s position, explicitly stated or clearly implied thesis, less effective use of transitions, body paragraphs may have a few minor lapses in consistent and logical arrangement and order, mostly cohesive flow of ideas with a clear beginning, middle, and end, blends research and argumentation, less effective conclusion in terms of reaffirming  the writer’s position
 
DEVELOPMENT : Paper is full in length with the required planning steps, number , and use of sources, mostly clear, consistent and sufficient information from a variety of sources, limited use of background summary information for an informed audience, correctly uses direct quotes in MLA in-text citation format, each body paragraph develops new details while supporting thesis, refutes opposing arguments effectively,  balances own ideas and opinions with those from sources
 
GRAMMAR, MECHANICS , MISC. Exhibits attention to correct MLA style essay format and Works Cited page, appropriate punctuation, appropriate paragraph division, may have less varied sentence structure, may have minor errors in literary convention and verb tense , may contain a few sentences that are problematic, awkward, ineffective, or incomplete, may contain some minor errors in agreement, person references, and/or pronoun consistency, may have minor errors in parallel structure, less sophisticated command of diction, tone, and technique may inhibit writer’s voice and individuality, contains few and  minor errors that do not detract from content of essay indicate an ability to write at the college transfer level

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C= (159-140)
FOCUS:   May have more problematic or extended lapses in focus or ability to address the chosen literary research focus, less effective demonstration of  the writer’s ability to research a literary topic including critical approaches and to argue persuasively
 
ORGANIZATION :  Less original and/or less effective title, weak introduction in terms of establishing  the focus and building to the writer’s position, thesis is present but may not be as explicit or clearly implied, less effective use of transitions, body paragraphs may have some lapses in consistency , logic, and order,  less cohesive flow of ideas with a beginning, middle, and end, blends research and argumentation, weak conclusion in terms of reaffirming  the writer’s position
 
DEVELOPMENT : Paper is full or nearly full in length with the required number and use of sources, may have some unclear, inconsistent, irrelevant, and/or insufficient information from less varied sources, may have some use of unnecessary background summary information, may have some errors in using direct quotes in MLA in-text citation format, most body paragraphs develop new details while supporting thesis, less successful attempt at refutation, less successful attempt to balance own ideas and opinions with those from sources
 
GRAMMAR, MECHANICS , MISC. Some errors in MLA style essay format and Works Cited page,  some errors in punctuation, may contain some errors in paragraph division, may have less varied sentence structure, may have errors in literary convention and verb tense, may contain a few sentences that are problematic, awkward, ineffective, or incomplete, may contain some errors in agreement or person references, and/or pronoun consistency, may have errors in parallel structure, average or inconsistent command of diction, tone, and technique may  inhibit writer’s voice and individuality, contains some distracting errors that inhibit effectiveness of essay  and indicate  a need for greater attention to writing at the college transfer level

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D= (139-120)
FOCUS:   More problematic or extended lapses in focus or ability to address the chosen literary research focus, ineffective or inconsistent demonstration of the writer's ability to research a literary topic including critical approaches and to argue persuasively, may stray off-topic to include other details unrelated to essay
 
ORGANIZATION :  Unoriginal and/or ineffective title, weak or incomplete introduction or one that shows little effort to establish the issue and build to the writer's position, thesis is present but is not as explicit or clearly implied, limited or ineffective use of transitions, body paragraphs have some lapses in consistency, logic, and order, the essay has some problematic lapses in cohesion, fragmentation of research and argumentation, weak or incomplete conclusion or one that shows little effort to reaffirm the writer's position
 
DEVELOPMENT : Paper is full or nearly full in length with  fewer than the required planning steps, number, and use of sources, contains unclear, inconsistent and/or insufficient information, and with little variety of sources, some use of  unnecessary background  summary information, some errors in using direct quotes in MLA in-text citation format, some body paragraphs develop new details/events while supporting thesis, little attempt to refute opposing arguments, little attempt to balance own ideas and opinions with those from sources
 
GRAMMAR, MECHANICS , MISC. Some serious errors in MLA style essay format and Works Cited page,  some serious  errors in punctuation, some  serious errors in paragraph division, little variety in sentence structure, some serious errors in literary convention and verb tense, contains several sentences that are problematic, awkward, ineffective, or incomplete, contains some serious errors in agreement or person references, and/or pronoun consistency, some serious errors in parallel structure, limited or inconsistent command of diction, tone, and technique inhibit writer’s voice and individuality, contains a number of distracting errors that inhibit effectiveness of essay and indicate a problem with writing at the college transfer level

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F= (119-0)
FOCUS:   Shows little or no focus or ability to address the chosen literary research focus, fails to demonstrate writer's ability to research a literary topic including critical approaches and to argue persuasively, strays significantly off-topic
 
ORGANIZATION :  Missing or ineffective title, missing or ineffective introduction, missing or unclear thesis, little or no use of transitions, significant  lapses in cohesion, order , and/or random flow of ideas, little or no attempt to incorporate research and argumentation, missing or ineffective conclusion
 
DEVELOPMENT : Paper does not meet planning,  length or source requirements, unclear, inconsistent, irrelevant, and/or insufficient information, extensive use of  unnecessary or redundant information, incorrect MLA in-text citation format, redundant or missing body paragraphs to support thesis, no refutation, no balance of ideas or missing information
 
GRAMMAR, MECHANICS , MISC. Significant errors in MLA style essay format and Works Cited page,  inappropriate punctuation, problematic paragraph division, little or no sentence variety, significant and repeated grammatical, mechanical, and diction errors that interfere with meaning and effectiveness of essay, little sense of writer’s voice and individuality , little or no familiarity with the principles of passable transfer-level writing

Planning Complete and On Time?                     ____________________
Draft and Conference with Instructor?             ____________________              
Your Score and Grade: _________/100 = ________

Point Values for each column:

50=100%                 44=88%                  39=78%                  34=68%                  29=58%                 24=48%

49=98%                  43=86%                  38=76%                  33=66%                  28=56%                  23=46%

48=96%                  42=84%                  37=74%                  32=64%                  27=54%                  22=44%

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Literary Terms Questions:

PLOT—The events of the story

1.) What was your favorite part of the story? Why?
2.) How would you describe the conflict (s) with which the main characters were struggling? Were any of the conflicts 
solved? Explain.
3.) Were the events believable?  Why/Why not? You may wish to give examples of both.
4.) Did the events seem to happen to the characters, or did the characters themselves bring about the events? Explain, 
using examples.
5.) If you could extend the ending of the story, what do you predict would happen? Why?

SETTING—The time and place of the story

6.) How does the author use descriptive language to help you experience the world of the story?  Find examples.
7.) How important was the setting to the story?  How did it influence the characters’ lives?
8.) How does the author use the setting of the story to convey moods or feelings, such as gloominess, happiness, 
sadness, or hope?  Find examples.

CHARACTER—The people

9.) Who were the main characters in the story? Who were the minor characters in the story?
10.) Which character did you identify with in the story? Why? If you didn’t identify with any character explain 
why not.
11.) Which of the character (s) in the story seemed most/least interesting? Why?
12.) Did you change your opinion of any of the characters? Which ones? Why?
13.) Did any character (s) experience an epiphany? Explain.

THEME—The overall message of the story—the bigger picture

14.) Did the ideas or situations in the story remind you of anything else that you have read or experienced?  Explain.
15.) Did any of the characters make discoveries about themselves or others? Explain.
16.) What message or theme do you think the author wanted you to find in the story?
17.) Explain the title of the story. Did it reflect a theme? Explain.  What do you think would make a good title for this 
story? Explain.


NARRATION AND POINT OF VIEW—The person who tells the story

18.) Who was the narrator of the story? How does the narrator help you to enter the world of the story?
19.) How much did the narrator influence how you felt about the characters and events?
20.) How might this story be different if another narrator had been chosen to tell it? Choose a different narrator and 
describe a short scene using that character’s point of view.
21.) Did anything about the narrator remind you of yourself or anyone you know? Give some examples.

AUTHOR’S CRAFT—The author’s techniques and style
22.) How did the author create images in your mind of people, places, things, feelings, or moods?
23.) How did the author get you interested in what happened to the characters?
24.) Was there much dialogue in the story? How did the use of dialogue affect the way you felt about the characters?
25.) Did you like the author’s style of writing? Why or why not?

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Literary Genres:

A literary genre is a category characterized by a particular style, form, or content. Below is
introductory information and terminology from your textbook.

Fiction "By inventing, developing, and amassing descriptive details, works of fiction create the illusion of full, authentic, and realistic reports of human experience" (LTHE 6).

Antagonist
Characterization
  
Dynamic
   Flat
   Round
   Static
Conflict
Epiphany
Irony

   Dramatic
   Situational
   Verbal
Plot
  
Exposition
   Rising Action
   Climax
   Falling Action
   Denouement
Point of View
   First-Person
   Limited Omniscient
   Omniscient
Protagonist
Setting
Theme
Tone  
Poetry "Critics often describe poetry as 'heightened language,' meaning that the poet strives for precision and richness in the words he or she uses" (LTHE 12).

Figurative Language
   Simile 
   Metaphor
   Personification
   Allusion
Music of Poetry
   Rhyme
   Alliteration
   Rhythm
Symbol
    Contextual
    Public
 Types
  
Ballad
   Carpe Diem
   Elegy
   Pastoral
   Sonnet
  Villanelle
Word Choice/Diction
   Connotation
Drama "Drama is fundamentally different from other literary forms. [. . .] By their nature, plays are more spectacular than poems or works of fiction. [. . .] they are designed to show, not tell [. . . ]" (LTHE 19)


Characters
  
Antagonist
   Characterization
   Dialogue
   Protagonist
   Soliloquy
Conflict
Dramatic Irony
Plot 
Stages and Staging
Essays "Essays differ from fiction in that they generally do not create imaginary worlds inhabited by fictional characters. [. . .] Usually, the essay is relatively short, and it almost always embodies the writer's personal viewpoint" (LTHE 27).

Argumentative Essays
Descriptive Essays
Expository Essays
Narrative Essays
Structure and Detail
Style and Tone
Thesis

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Critical Approaches Important in the Study of Literature:
In your packet, you have a chart for these important critical approaches. The following information  is 
excerpted from “Glossary of Critical Approaches” (LTHE pgs. 1131-1139) and from: 

Roberts, Edgar V. and Henry E. Jacobs, eds. Literature: An Introduction to Reading and Writing.  

    Compact 3rd ed. New Jersey: Pearson, 2006. 1465-1479.
  
   

Deconstruction:


This critical approach looks at opposition, ambivalence, and contradictions.  It arose as a rejection of the formalist approach and its assumptions of authorial control and conscious design. According to this approach, language is, by its very nature, "shifting and unstable" which makes the act of interpretation incomplete and even misleading (LTHE 1133).
Ethical Criticism: This critical approach extends beyond the academic and aesthetic worlds and into the larger realm of ethics and moral judgments.  Looking at a literary work using this approach means searching for a broader lesson or message about good or bad behavior.  At  times, ethical criticism can be grounds for censorship (LTHE 1134).
Feminist Criticism: This critical approach looks at literature as one way that a patriarchal society keeps women subordinate to men.  It examines the way that women have been minimized or stereotyped in literature and seeks a more balanced approach. The feminist critical movement has uncovered and promoted the work of women writers in order to broaden the literary canon and therefore reflect the full range of human experience (LTHE 1134).
Formalist Criticism: This critical approach stands in opposition to the reader-response approach and to the ethical approach because literature is viewed as a formal work of art independent of a particular reader and is important for its aesthetics, not for the lessons it may teach.  The author is a successful artist if the literary work is "rich, unified," and universal (LTHE 1134-1135).
Marxist Criticism: This critical approach arises from the doctrines of Karl Marx (1818-1883) and looks at literature as one particular human activity that can reflect power relations and economic class divisions, whether knowingly or unknowingly . Literature can also serve as a means to expose oppression and exploitation and bring about enlightenment and even revolution. Unlike the formalist approach,  the political and economic message is more important than the aesthetic structure (LTHE 1135-1136).
New Historical Criticism: This critical approach is "new" because it moves beyond the old concept of history as zeitgeist or "spirit of the times" and seeks to broaden the connection between history and other disciplines.  Without a thorough knowledge of the relationship between a literary work and its historical context, real knowledge and interpretation is incomplete.
Psychoanalytic Criticism: There are several approaches contained within this critical approach. Freud viewed the self as divided into the id (unconscious, aggressive, primal, erotic urges), the ego (the self), and the superego (similar to what you might define as a conscience).  Characters in a literary work struggle to control the primal urges while fulfilling social obligations. The Oedipus complex perhaps one of the most famous examples.  Carl Jung, a post-Freudian, argued for a collective unconscious and the idea of archetypes or original patterns that appear and reappear in literature. Some examples include the search for the father (or parent figure), death and resurrection, the quest, and the double (LTHE  1138).  Overall, this critical approach looks at the hidden and unconscious motives behind behavior.
Reader-Response
Criticism:
This critical approach views the reader as a necessary and equal component in the act of literary interpretation.  The relationship between an author, a literary work, and a reader is a dynamic and transactional one.  As opposed to other critical approaches, this one is highly subjective and looks at all of the factors that account for readers' differing experiences and interpretations of a literary work such as gender, age, previous knowledge, ethnic/racial background, etc. The journal response questions you use in this course (developed from Robert Probst) are connected to this critical approach (LTHE 1138).

                          THESE ASSIGNMENTS ARE  SUBJECT TO CHANGE                        
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