ENGLISH 1A: Composition and Reading 1
SYLLABUS Fall 2008
Required Items |
Description | Objectives |
Attendance
Policies | Late Work and Safety Nets
Grading
Policies and
Course Assignments | Academic Honesty | Writing
Requirements | MLA Info.
| Instructor: Amy Hundley |
| Sections, Times, and Places: Section #1372 TuTh 8-9:20 VOC-110 and Section #1378 TuTh 12:30-1:50 IAC 123 |
| Office: IAC 263 (Humanities IAC Building) |
| Office Phone/Voicemail: (209) 384-6315 |
| Office Hours: MW 12-1 p.m., Tues. 11-12, and W 1-2 |
|
E-mail: hundley.a@mccd.edu Faculty Website: http://www.mccd.edu/faculty/hundley.a |
Additional Required Supplies:
Two large blue books from the MC bookstore (for your journal)
Additional blue books as required for exams
Two 10 x 12” or larger clasp envelopes (for submitting work)
Strongly recommended:
Readily available Internet and word processing access
USB drive, or similar device to save your work
Any college-level dictionary and thesaurus
A binder and binder paper
Highlighter pens
Post-it notes, post-it tabs
Small stapler
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Course Description:
English 1A is a transfer-level college freshman composition course that
stresses critical readings, scholarly compositions, and research
applications. Students write exploratory and argumentative essays—at least one
of which is fully annotated—based on class readings and
discussions. Upon entering the course, students are expected to understand basic
English skills (including but not limited to the following:
an understanding of sound grammatical principles, the ability to make and
support a claim/thesis, the ability to develop a multi-paragraphed essay,
and the proper use of MLA format and documentation) and are expected to acquire
more sophisticated reading and composition skills throughout
the term. Students apply matters and measures of critical thinking skills to
their assignments.
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Course Requirements, Objectives, and
Expected Student
Learning Outcomes:
According to the Merced College Course Outline, all
English 1A students are required to
read a minimum of 900 pages per semester and to write a minimum of
8,000 graded words per
semester.
To this end,
students will read and respond in writing to a variety of fiction and
non-fiction works
exploring the thematic ideas. This course will help you to recognize and to develop critical
reading and thinking skills
and further apply them in college-level writing. Each student will complete numerous written
assignments both in and
out of class. Participation in group and whole class activities is mandatory; this course
requires you to be
an active learner.
By
the end of the course, students should know how to write clear and logical prose
and to read
college-level texts closely and effectively.
Expected Student Learning
Outcomes:
According to the official Merced College Course Outline, by the end of this
course,
students will learn to write clear and logical prose and to read college-level
texts closely and effectively.
Specific areas of study in composition include:
A. Organize essays into appropriate form and structure
B. Prepare strong paragraphs
C. Construct effective language and style
D. Compose sound, reasonable claims and premises
E. Apply research skills by way of recognizing the different levels, types, and
formats
of information including, but not limited to, primary versus secondary and
popular versus scholarly
F. Employ careful revision practices
Specific areas of study in reading include:
A. Identify and evaluate main ideas and supporting ideas
B. Study historical and theoretical backgrounds of published material
C. Analyze rhetorical modes or techniques
D. Recognize and differentiate voice, tone, and point-of-view
E. Build and apply critical vocabulary
F. Formulate critical evaluation
Attendance Policies:
Your enrollment in this class signifies your ability and willingness to complete
the course work. If you are not
able to attend regularly or to complete assignments in a timely fashion, you are
jeopardizing your own
academic success and ability to advance to the next level.
A reasonable number of absences would be no more than one absence per
course unit: that
means three absences for the semester. Once you exceed this
reasonable number, your
This class begins and ends on time and arriving late and/or leaving early disrupts the class and counts
against your attendance and participation points. Roll will be taken at each class. Save your absences for
when you are really sick or in a bind and be sure to communicate with your professor. You must leave a note
in my mailbox, a phone message, or an e-mail if you will be absent and you are responsible for
getting the required work to me via another student in this class or by arranging to have it brought to my
mailbox, office, or in person to me on campus as close to our class time as possible. Simply putting work in
my mailbox or under my door without a note or other means of contact will not be accepted. If you show up to
class the next day without contacting me prior to that, no previous work will be accepted. If you want
exceptions, breaks, or special consideration, my commitment to fairness and consistency may work
against you.
If you add this class after the first session, you must either make-up missed assignments or accept
the missing points. You are not automatically “excused” since you were not enrolled. Adds are limited
by space of classroom facility, course limit, and by absence policy above. It is the student’s
responsibility to drop the class if he or she no longer wishes to attend; however, I reserve the
right to drop you if you are not here the first day of class (especially if others are waiting to
add) and/or for excessive absences during the semester unless notified otherwise.
Late Work:
I do not accept late work in this class (except for what is described in
the next "Safety Nets" section).
Assignments are due in the classroom at the beginning of class time on the day the
assignment is due. This policy is designed to reward responsibility and to discourage procrastination. Plan
ahead for potential technical, transportation, childcare, and other difficulties. It is acceptable to turn work in
early is you know you will be absent. If you miss in-class work including group work, quizzes, tests,
in-class writing, etc due to absence or incomplete attendance, you lose credit for this work.
Extenuating circumstances may modify this policy; however, it is the student’s responsibility
to bring these circumstances to my attention as soon as possible (before class or at least the
same day) so that the necessary arrangements can be made.
Test Policy:
A test may be rescheduled, but arrangements must be made prior
to the test date. “No shows”
will not be allowed to make up tests. Again, extenuating circumstances may
modify this policy, but it is
the student’s responsibility to communicate promptly.
“Safety Nets”:
During the course of the semester, each student will be allowed one rewrite of a
written assignment, either an essay or mini-research project
(Essays #1-3 or Mini-Research Projects #1-2). Additionally, each student will be
allowed one late written assignment, either an essay or mini-research
project (Essays #1-3 or Mini-Research Projects #1-2).
However, there are some limitations on these safety nets: a student may use the
safety net only if s/he has turned in on time all other work required
for that particular written assignment. Furthermore, a student may not utilize
both “safety net” options on the same assignment. The rewritten or late
assignment must be turned in with all other work for that assignment to my
mailbox, office, or in person to me on campus, no later than the beginning
of the next class session. It is the student’s responsibility to write a short,
but specific note explaining why s/he decided to rewrite the paper or why
the paper is late.
THESE OPTIONS DO NOT APPLY TO IN-CLASS WRITING ASSIGNMENTS OR TO THE LAST
WRITTEN ASSIGNMENTS OF THE
SEMESTER (Essay #4 or Mini-Research Project #3).
Extra credit assignments are offered periodically for students wishing to
improve their grades. There is a limit to how many points you can accumulate
through extra credit.
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Grading
Policies and Course Assignments:
Grades serve as a measure of individual academic progress and achievement.
Your performance on written assignments of all
types will be the primary source of your grades. In general, your essays will be
graded for focus, organization, development,
grammar and mechanics, meeting minimum length requirements, and your overall
ability to engage the assigned readings in a manner
appropriate to college-level work. Each type of essay will also have additional
specific criteria and outcomes listed on the rubric.
Your final grade is based on the number of points you accumulate
during the semester on all of your course
assignments. The points you earn on these assignments will be weighted and
converted into a percentage
that will give you a letter grade at the end of the semester. Graded assignments
will be returned and grades
will be posted regularly throughout the semester.
Grading Scale:
90%-100% = A 80%-89% = B
70%-79% = C 60-69% = D 0-59% = F
Writing--Essays, Reading Journals, and In-Class Writing = 60%
Assessment--Quizzes and Exams (including Midterm and Final Exam) = 20%
Other--Group Work, Participation/Attendance, and Misc.= 20%
Course Assignments:
|
|
| Assigned movies and movie reviews for movies connected to our three full-length texts |
| Four Formal Out-of-Class Essays that employ various rhetorical modes such as Analysis/Response, Argumentation, and Cause and Effect. All essays require use of the writing process, MLA format and MLA citation and documentation. (4 x 100 pts. each = 400 pts.) |
| Essay #1:
Analysis and
Response—Short Stories The Fatal Gesture 3-4 pages minimum, 750 -1,000 words, direct quotes from both selections using MLA in-text citation, and a MLA format Works Cited page Use the following quote from John Updike’s short story “A & P” as the central idea and method of introducing your essay: “But it seems to me that once you begin a gesture it’s fatal not to go through with it” (Updike 457). Then, in your own words, explain what you think a “fatal gesture” means in general and in this story. Remember, one of the semester themes is Knowledge and Choice. Lead into the two stories you plan to discuss—you do not need to use “A&P” any further, but you may if you wish. The stories you may use for this essay are listed below: “The Use of Force” by William Carlos Williams (Handout) “Bad Girls” by Joyce Carol Oates (Handout) “I’m a Mad Dog Biting Myself for Sympathy” by Louise Erdrich (TSR pgs.148-154) “A & P” by John Updike (TSR pgs.450-457) “Everyday Use” by Alice Walker (TSR pgs. 460-468) See further directions and models in course packet |
| Essay #2:
Argument 3-4 pages minimum, 750 -1,000 words, direct quotes (minimum three entries: The Sunflower itself and at least 2 other Symposium commentaries) using MLA in-text citation, and a MLA format Works Cited page In Wiesenthal’s own words: “You, who have just read this sad and tragic episode in my life, can mentally change places with me and ask yourself the crucial question, ‘What would I have done?’” 98). For your second essay this semester, you will write an argument supporting your answer to this moral dilemma in Wiesenthal’s The Sunflower. When in doubt, use the Symposium commentaries as good models for how to structure this essay. Must we, can we, forgive the repentant criminal, no matter how awful the crime? Can we forgive crimes committed against others? What do we owe the victims? Should Wiesenthal have forgiven the dying Nazi soldier? |
| Essay #3: Cause
and Effect: —The Glass Castle 5-7 pgs. minimum, 1,250-1,750 words, extensive use of direct quotes using MLA in-text citation, including use of at least one direct quote from at least one of the four mini-research project sources for this book and a MLA format Works Cited page For your third essay, you will examine both the structure of this memoir and the reasons why the life of the Walls family is one of “dancing along the border between turbulence and order” (Walls 288). Discuss one or more theories about the organizational principle of the book (as discussed in class). Make a connection between parents’ behaviors/actions and the children (cause and effect). |
| Essay #4: Analysis and Response and Cause and Effect: The
Mosquito Coast 5-7 pgs. minimum, 1,250-1,750 words, extensive use of direct quotes using MLA in-text citation, including use of at least two direct quotes from at least two of the two mini-research project sources for this book (“An American Crank” by George P. McCartney, “Journey to the End of the Father: Battlefield of Masculinity in The Mosquito Coast” Hikaru Fujii, or “Technology and the Third World: Paul Theroux's The Mosquito Coast” by John Rothfork”. Include a MLA format Works Cited page. For your fourth essay, you will use The Mosquito Coast as a way to make connections with other themes and concepts this semester. This is a culminating essay demonstrating what you have learned about analyzing and responding to reading. Consider the following questions: What makes the world “imperfect” in Allie’s view? In his opinion, what is the price of conforming to what others expect? How do his attitudes and actions constitute a rebellion against what is expected of him? What is the price of this rebellion? |
| Three Mini-Research Projects, one for each full-length
book, which require the location of specific secondary sources to complement
the study of our primary texts See further directions and models in course packet |
| In-Class Writing Assignments |
| Reading Response Journals
(24 total) for
all assigned readings (completed as homework) (10 pts each = 240 pts. total) See further directions and models in course packet |
| Reading Quizzes/Tests (both announced and unannounced) |
|
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| Group projects and presentations |
| Final Exam |
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Academic Honesty:
The intentional or unintentional presentation of information from another source
as if it were your own is plagiarism.
In this class you must incorporate and document information correctly in order
to avoid plagiarism. We will also utilize the website
turnitin.com
All other forms of cheating, copying, or academic dishonesty will not be
tolerated. Do not attempt to write an assignment for another
student or
submit as your own an assignment written by another student. A
failing grade on a plagiarized assignment and a formal complaint in your student
personnel file is the least I can do to enforce this academic law. Plagiarism on
extra credit assignments will make you ineligible to do any further
extra credit work in the course. Depending on the severity of the incident,
further consequences can include a failing grade for the course, being
dropped from the course, or academic probation.
Collegiate Behavior and Common Courtesy:
Students are expected to be punctual, prepared, and ready to participate.
Everyone deserves the right to study and learn in an atmosphere that is
relatively
free from distractions; therefore, before you enter class, please turn off and
put away all cell phones/text messaging devices, MP3 players and headphones,
and all other personal electronic equipment that can cause disruption. During
discussion students should listen respectfully, both to other students and to
the
professor. I will not tolerate disruptive behavior in class and will ask you to
leave if the problem persists. Food and beverages should be consumed outside.
Due to Merced College liability policies, persons not enrolled in the class
should not be in the classroom.
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Student Contacts:
It is a good idea to get at least 2 fellow students’ names, phone numbers and/or
e-mail addresses in case
you miss class or you need help on an assignment.
| 1. Name: Home Phone: Other Phone: E-mail address: |
2. Name: Home Phone: Other Phone: E-mail address: |
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Writing
Requirements:
The writing assignments serve to illustrate that the student has read and
contemplated each text in more than a cursory fashion.
All essays and mini-research projects must be typed using standard MLA format
(double-spaced, 12 point, Times New Roman font, 1
inch margins all around, last name and page number in upper right hand corner,
and Works Cited page as needed). See “MLA Format”
information on this syllabus and information in your English Simplified
11th ed., Ellsworth and Higgins, text. If using Word 2007, you will
need to change the default spacing and font. There are directions at the end of
this syllabus.
Every essay requires prewriting and planning before beginning a rough draft. A
rough draft is a work-in-progress, a completed attempt at the
assignment that is ready to be revised and edited into final draft form. Rough
drafts must be TYPED, complete, properly formatted, and on time in order
to undergo a draft conference. No handwritten drafts. Throughout the semester, I
am available to conference with you individually concerning your essays
and you can also utilize the Writing Center.
Basic MLA
Information:
(NOTE: If you have Word 2007, go to "Insert", then "Header" and type information
accordingly)
|
Doe 1 Jane Doe Amy Hundley Eng. 1A Section # Day Month Year |
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MLA Citation
Use the following examples
to document quotations from our texts and supplemental materials for this
course:
Works Cited
“Excerpt: The Glass Castle: A Writer’s Account of Her Life Journey from West Virginia
to New York City.” ABC News. 10 Mar. 2005. 25 Mar. 2007
<http://abcnews.go.com/Primetime/OnlyinAmerica/story?id=549259&page=1>.
Fox, Matthew. Rpt. in The Sunflower: On the Possibilities and Limits of
Forgiveness. Ed. Simon Wiesenthal. New York: Shocken, 1998. 143-48.
Hemingway, Ernest. “Hills Like White Elephants.” The Seagull Reader: Stories. 2nd ed. New
York: Norton, 2008. 203-208.
Theroux, Paul. The Mosquito Coast. 1982. Boston: Mariner Books, 2006.
Walls, Jeannette. The Glass Castle: A Memoir. New York: Scribner, 2005.
Wiesenthal, Simon. The Sunflower: On the Possibilities and Limits of Forgiveness.
New York: Schocken Books, 1998.
THIS SYLLABUS IS SUBJECT TO CHANGE